Talking to myself: Ending Fireborn

So, whenever I am stuck on something in a story I’m writing, I like to “talk to myself” which basically means typing out my thoughts freeform and hope an answer reveals itself. Typically, I don’t post these, but since it’s been awhile since I’ve done one (I think years), I thought I’d try it again.


So, when i first conceived the idea of Fireborn, I knew my MC, Leliel, a former Grim Reaper, was going to vanquish the antagonist, a ghost who compels young men to commit suicide via self-immolation. Dark subject matter there for sure. I also recently figured out (remember, I am not a plotter) that Leliel will be (almost) compelled to do the same thing. Whether or not the ghost tries to make Leliel’s husband Rick to do it as well remains to be seen.

I have it set up. Leliel and Rick are tied to chairs. One of their allies has turned on them. The ghost, Samantha, who’s wearing a recently dead body, begins to compel Leliel to write her suicide note (as she has done with all other victims). There will also be a Tarot card left at the scene. Which one, I have no clue.

Leliel is actively fighting it, and Rick is freaking out and …then what? Obviously, Leliel ha to fight it enough to get free in order to live (and not die by fire. Factoid: Leliel originally died in a fire.) and I wanted Rick to somehow get free and help her with that (which would be a nice tie-in to how he helps her in episode 1). I need a way for him to get free. I have the traitor to deal with, who’s a powerful witch. Rick has no supernatural powers except sensing the feelings of the dead. I also want to bring in the police and/or the TV news reporter guy. They were both working on the case and Leliel and Rick had been sharing information with them.

There is also the conspiracy to work out. This whole thing started when a group of guys killed Samantha by fire, and she’s just getting revenge. But the school (college) didn’t want anyone to know, because the kids were from money, and that’s just not socially acceptable. So it was buried, and no one would help Leliel and Rick figure this out. So I need to bring that all to light somehow.

Could someone on the inside come forward out of guilt? (Now, the traitor was one such person, so I’m not sure I want to do it a second time).A teacher? A mother? An intern at the news station who runs across confidential information and cannot keep quiet? Hmmm, I kind of like that, but it seems so random.

So back to the showdown. Police come in, guns blazing, and release Rick and Leliel. The witch tries something, and it either works or doesn’t. The distraction is enough for Leliel to fight the compulsion and she stops what she’s doing and is saved. Samantha is somehow put to rest, both her borrowed body and soul. Which Leliel must reap. Maybe. (In episode 1, she lost her powers). But those poor cops will be in for the shock of their lives when they see a decomposed body walking around and talking and…wow, that’s creepy and I kind of like it. 😉

How do the police find out? Someone calls them? Who? Rick’s hands are tied literally. Someone not there? Maybe the news guy. He’s been following them, thinking they’re off their rockers. That it cannot be true. So he calls the police once he 1) wets himself and 2)realizes what’s going on. That would effectively bring him back in. And the cops and so on.

I think Leliel having a distraction and then being able to fight it is a bit weak. So far in this series one of my themes is that love conquers all/love can save you. I think Rick needs to play a bigger role in her saving. Maybe a combination of both? Or have Samantha ignore everything and compel Leliel and then Rick gets untied and is able to get closer to her/talk to her/help her and THEN she’s able to fight it?

Good ideas so far I think. Something to work with, in any event.

2 thoughts on “Talking to myself: Ending Fireborn

  1. I love doing this! Sometimes I’ll do it in my head while taking a long walk, other times on paper. Sometimes if I do it while typing, it descends into nonsense like “…and then they escape. But how? Good grief, why can’t you think of something? Oh this is all so silly…”

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